The sails are under a tarp for this Wednesday's storm. Last week when the sails where on the ground the rain froze the sails in all sorts of fun shapes. The ice however makes the felt fragile as the wind playfully billows out the sails. So, we are taking precautions and covering them now. With these careful procedures the sails have far outlasted what I predicted would happen. Wool is resilient, and the felt is strong.
Tuesday, November 30, 2010
Monday, November 29, 2010
Sunday, November 28, 2010
Friday, November 26, 2010
Thursday, November 25, 2010
Sails are sailing on Thanksgiving day
Pleiades will be standing tall today. I give thanks to the farmers at Thistlebloom Farm and Swartz Family Farm for the opportunity to install the sculptures on their property, and thanks to the curators of the Amherst Biennial for all of their hard work.
Tuesday, November 23, 2010
The Next Few Days
The sails will be coming down late afternoon. High winds and rain predicted for the next few days. Plan to put them back up on Thursday morning.
Monday, November 22, 2010
Time and Weather
The sheep are sailing today
Pleiades is entering its eighth week of sailing meadows and fields in the Pioneer Valley, exposed to rain, gusty winds, heavy frosts, hail and even snow. Two full moons have cast their lunar glow on the land sails. Pleiades will be up for two more weeks, until December 12th.
Putting an installation up in the fall has it's advantages and disadvantages. As a plus, the viewer experiences the wool with the beautiful changing colors of the season, hear geese on their annual migration as they fly over the sails, witness heavy dew and frost on the wool in the cold mornings. Now, in "stick" season, the grey tones of the bare trees, November field and weathered barn provide a subtle backdrop for the natural shades of the wool. However, fall is also the time of year to herald in winter and temperature changes bring strong, gusty north winds and rain. It is of this that keeps me busy interacting and responding to the installation's natural changes.
In my work I employ the interaction of physical elements on different materials. Using the sun to melt and sculpt, rain to weather and rust, ice to expand, even insects and animals to leave their mark. Pleiades is the first time that I have put work out in the elements and planned to repair what time and weather has started. This has allowed me to get to know my materials even more than when I was felting the sails. One of the land sails has already lost it's interior felt and two more are close to losing theirs. I never know what I am going to find when I head to the field each day.
Most of the repairs have been sewing, felting, exchanging bent masts, replacing new posts, mending a back. Wind, that playful element that upset the wool as I felted the sails into shape, has proven to be the mastermind behind the changes in the installation; bending masts, stretching material and creating holes as the strong gusts usher in winter.
Wind also has been my assistant animating these triangular sheep as they dance in the field and create the weathered tufts of wool that stretch out beyond the luff of the sail.
Pleiades is entering its eighth week of sailing meadows and fields in the Pioneer Valley, exposed to rain, gusty winds, heavy frosts, hail and even snow. Two full moons have cast their lunar glow on the land sails. Pleiades will be up for two more weeks, until December 12th.
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moonrise over Pleiades |
In my work I employ the interaction of physical elements on different materials. Using the sun to melt and sculpt, rain to weather and rust, ice to expand, even insects and animals to leave their mark. Pleiades is the first time that I have put work out in the elements and planned to repair what time and weather has started. This has allowed me to get to know my materials even more than when I was felting the sails. One of the land sails has already lost it's interior felt and two more are close to losing theirs. I never know what I am going to find when I head to the field each day.
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Electra (sail named after one of the seven sister stars) has lost most of her wool |
Most of the repairs have been sewing, felting, exchanging bent masts, replacing new posts, mending a back. Wind, that playful element that upset the wool as I felted the sails into shape, has proven to be the mastermind behind the changes in the installation; bending masts, stretching material and creating holes as the strong gusts usher in winter.
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German helping me repair felt in the field after a storm |
Wind also has been my assistant animating these triangular sheep as they dance in the field and create the weathered tufts of wool that stretch out beyond the luff of the sail.
Sunday, November 21, 2010
Some Repairs
We got to the sails ten minutes too late for the winds that arrived yesterday. Major repairs will be done on the sails this morning and they should be back up by mid-day.
Saturday, November 20, 2010
Baaa, the sails are reefed this afternoon
High winds this afternoon will bring the sails down, but they will be back up on Sunday if the winds pass. This image was taken last night in an almost full moon.
Directions to Swartz Family Farm: Winter Farmers Market Today
To see Pleiades go north on 116 pass the UMass exit. After traffic light you will see the sails on your right. Pass the sails and pull off road by the guard rail. there is room to park, or drive to the field. Please feel free to walk around at any time of day or night.
To get to the farmers market open 10-2, enter from Pine Street
Friday, November 19, 2010
Pleiades is fully rigged today
The Seven Sisters have gone for a frosty morning sail
Material Choices:
One of the most common questions I get about my work is "Can I touch?". Nothing pleases me more, because it means the viewer is engaged in the textures and natural colors of the sculpture. And the answer is YES! Please touch these wooly sails, walk among them, breath in their wet animal smell in the dewey mornings, watch the frost melt off as the sun warms them, watch the wind activate the sails in the lightest of breezes, as they look like they are breathing. In the afternoon high wind watch them dance in unison, and as the evening winds slow, experience the sails settling into the evening. Tonight I will be watching the sails glow in an almost full moon.
My material choice of raw wool collected from local farms started out as purely selfish. Wool is heavenly to work with, forgiving in nature as I learned different felting techniques. The tufts, curls and colors of different sheep breeds provides the shadow and contrast as the sun filters through the sails. It is a material that is not manufactured, cleaned or stripped of it's original form. This is important as I contemplate the human use of animals as commodity. The pink sweaters I wear are unrecognizable from wool that comes off the sheep. The chicken legs for dinner look nothing like chickens at the farms I visit. It is of these things that I thought of as lanolin from wool covered my hands as I felted Pleiades.
Thursday, November 18, 2010
intentions
The sails will be going back up today after school, when my help can come to the field.
Here is an excerpt from a recent interview:
Here is an excerpt from a recent interview:
G.P. What is your intention for this installation?
N.M. Well, when I started, as I start any project, it is all about the material and my relationship with it. In this case I got lost in the process of collecting the wool from farms, talking with the farmers, being with the sheep, helping the shearers. Then back in the studio as I work with wool and play around with it, ideas form and shapes start to come together. After I have made the material, then a whole new intention enters in and that is the relationship of the material with the environment and landscape of New England. Even after that I start to consider my intention for the viewer. Where do I want the viewer in relation to the installation, where are they viewing? This is when the thesis of the work starts to gel. I realize I want to get the viewer to enter into the landscape, feel the texture, tastes and smells of real life, not the virtual world that we spend most of our time in. Then comes my surprise! The piece itself has intentions for me that I never even considered. Light, wind, and weather taught me performance, patience, persistence and a new understanding of ephemeral.
Wednesday, November 17, 2010
The sails are reefed today
Due to predicted high winds the sails will stay down today. Minor repairs will be made on the grey sail. There are new photos posted on my website of this new site installation, also please visit this video of the sails being made. http://vimeo.com/16207504
Tuesday, November 16, 2010
Pleiades is Reefed This Afternoon
This blog will keep you up to date as to the status of the outdoor public art installation titled Pleiades, part of the Amherst Biennial in Amherst, Massachusetts. The installation is now located at The Swartz Family Farm and can be viewed from Route 116, north of the UMass exit. You can pass the installation on your right and pull off road near the guard rail, park and walk the fields.
This installation made of raw wool collected from local farms, will be taken down in predicted weather of rain and gusts of high winds. To plan your viewing please consult this daily blog to see if the sails are "sailing" or "reefed" for the weather.
Today the sails are being taken down for the next few days.
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